| Named_Collection | Eduardo Paolozzi |
| Title | Eduardo Paolozzi Archive Primary Source Material : Folder 19, from file 320 |
| Level | Item |
| Artist | Paolozzi; Sir; Eduardo (1924 - 2005) |
| Format | Document |
| Correspondence |
| Ephemera |
| Date | 1968 - 1981 |
| Ref_No | GMA A40/2/31 |
| Description | /1. Typed letter from Maurice Tuchman to Paolozzi visiting Japan. Regarding Paolozzi's prints in NY. Also attached is a return envelope for Maurice Tuchman. (3 Oct 1969)
/2. Postcard from Margaret to Paolozzi in Japan. (8 Oct unknown year 1968?)
/3. Empty envelope to Ted Factor in California from Paolozzi. Not posted.
/4. Two page typed letter to Paolozzi from Ted Factor. (5 Sept 1969) Also ms on second page from Barbara Factor to Paolozzi.
/5. Handwritten letter from Suzan Swale to Paolozzi. Written on International Association of Art letterhead. Asking for a photograph to include in an exhibition. (27 Oct 1981)
/6. Letter from Penelope Hunter-Stiebel to Richard Posner asking if he would like to exhibit his work at the Met in NYC. MS on front to Paolozzi asking how to pursue this idea. Also attached are photographs of two works as well as the artist's proposal. (1 Oct 1981)
/7. Letter and invitation to Paolozzi and Marlee Robinson inviting them to the opening of Ying Yeung Li exhibition. Also attached is Marlee's response to Ying Yeung Li. (15 Oct 1981)
/8. Large invitation to Paolozzi for the Hollywood Color Portraits exhibition in London. (27 Oct unknown year)
/9. Letter to Paolozzi from Elizabeth Roberts asking for him to meet Andrei Voznesensky- a Russian artist. Also attached are the responses of John and Elizabeth Roberts to Paolozzi thanking him for a great lunch and for meeting the artist (Nov/Dec 1981) Three pages
/10. Invitation to Paolozzi from Theo Crosby for a luncheon. Also attached is a response from Marlee Robinson (Dec 1981) Two pages.
/11. Typed letter from Neville Dubow of the University of Cape Town asking Paolozzi to do a series of visiting lectures. (11 Aug 1981). Also attached is response by Marlee Robinson informing him that it is not possible with his current demands. (8 Dec 1981) To pages
/12. Letter to Paolozzi from Philippa Hardy of Editorial Research asking if a fact is correct in an article. (8 Dec 1981). Also attached is response by Marlee Robinson informing her that is it correct. (9 Dec 1981) Three pages.
/13. Letter to Paolozzi from Graham Stewart asking about an article in a magazine. (20 Nov 1981). Also attached is response by Marlee Robinson giving more information about the article. (7 Dec 1981) Two pages
/14. Handwritten letter to Paolozzi from Catriona Colborn regarding modern tapestry information. (2 Dec 1981). Also attached is response from Marlee Robinson with some information (7 Dec 1981)
/15. Invitation for unveiling of the children's drinking fountain designed by Theo Crosby. Also attached is response of Marlee Robinson. (3 Dec 1981)Three pages
/16. Typed letter from Marlee Robinson to Norman Ackroyd of the Central School of Art & Design. (3 Dec 1981) Regarding some forms.
/17. Handwritten letter from Norman Ackroyd of the Central School of Art & Design to Paolozzi regarding a visiting lecture (2 Oct 1981)
/18. Typed letter to Paolozzi from the Chelsea Arts Club regarding subscriptions. Also attached is a seperate form. (2 Nov 1981)
/19. Typed letter from Marlee Robinson (signed as Friday) to Herr Leu regarding some booklets. (16 Nov 1981)
/20. Letter to Paolozzi from Carlos Schwartz asking for a collaboration. (2 Oct 1981). Attached is response from Marlee Robinson informing Schwartz that Paolozzi is busy. (16 Nov 1981)
/21. Handwritten letter from Jim Moyse of MoMart Ltd. (nd)
/22. Typed response to Jim Moyse from Marlee Robinson (12 March 1981)
/23. Typed letter to Dudley Winterbottom from Marlee Robinson regarding a bill for the Chelsea Arts Club (10 March 1981)
/24. Letter to Paolozzi from Christopher Prater regarding a book order (22 Oct 1980). Also attached is the order as well as a response from Marlee Robinson to Prater (12 Feb 1981). Three pages.
/25. Letter from Marlee Robinson to Andreas Sack regarding articles and Paolozzi's progjects. (12 Feb 1981)
/26. Handwritten letter from Michael Spens to Paolozzi (28 Jan 1981).
/27. Typed and photocopied minutes of RA Council meeting (29 July 1980). Three pages.
/28. Notice to members of the Royal Academy. (4 Dec 1980)
/29. Typed memo for the members of the Royal Academy. (11 Dec 1980) Two pages.
/30. Letter to Paolozzi from Sidney Hutchinson regarding the money and budget for the exhibition 'A New Spirit in Painting' (24 Nov 1980). Four pages.
/31. Letter from Meg Buckenham to Marlee Robinson of a list of members of the exhibition committee (14 Oct 1980)
/32. Letter from Max Stern to Marlee Robinson including a list of Paolozzi works in his private collection (19 Feb 1981)
/33. Letter from Marlee Robinson to Max Stern enclosing catalogue information (7 Jan 1981) Also attached is a card from Max Stern
/34. Letter from Marlee Robinson to Alvin Boyarsky thanking him for lunch (1 Dec 1980)
/35. Letter to Paolozzi from Lorraine Bass inviting him to a piano recital. Also attached is the press release for the recital. (Feb 1981)
/36. Letter to Paolozzi from the Forest Mere confirming a room reservation. Also attached is a reply by Marlee Robinson. (2 March 1981)
/37. Letter from Paolozzi to Andreas Papadakis (26 Feb 1981)
/38. Letter to Paolozzi from Theo Crosby about bronze sculpture (6 Feb 1981)
/39. Handwritten letter to Marlee Robinson from John Tanner thanking him for a great night at the Chelsea Art Club (13 Jan 1980). Also attached is a response from Marlee arranging a dinner (6 Feb 1981)
/40. Letter to Paolozzi asking to commission a work. Also enclosed is a catalogue. (11 Dec 1980)
/41. Typed invitation to Paolozzi from Andreas Papadakis to meet Alison Sky and James Wines. (16 Oct 1980). Also attached is a letter from Alison and James thanking Paolozzi for lunch. Attached to that is a reply from Paolozzi. (18 Jan 1981) Three pages.
/42. Letter from Brian Smith of Brian Smith Fine Art Ltd. asking Paolozzi if he wants to have a publisher. (27 June 1980). Also attached is Marlee Robinson response (1 Oct 1980)
/43. Letter from Maia-Mari Sutnik of Art Gallery of Ontario to Marlee Robinson regarding Rights & Reproduction form for upcoming exhibition. (17 March 1980)
/44. Letter to the Greater London Central Valuation Panel from Marlee Robinson regarding the assessment of Paolozzi's residence in London. Also attached are six seperate forms and pamphlets. (5 Feb 1980)
/45. Card from Maurice Keitelman informing Paolozzi that he has aquired one of his pieces and was asking for more information. Also attached is a photocopy of the piece and a response from Marlee Robinson. (28 Jan 1980)
/46. Letter from Theo Crosby asking Paolozzi to donate a work for Air & Space Gallery auction. Also attached are a thank-you letter fro Air & Space for the donation as well as a receipt for insurance (22 July 1980) Six pages
/47. A letter from Riverside Studios asking Paolozzi to donate a drawing for an auction. Also enclosed is information about the studio, a return envelope, a donation card, a thank you for agreeing to contribute letter, and a letter informing Paolozzi how much his work sold for. (1979-1980) ten pages.
/48. A photograph from Rosenthal Studio with note to Paolozzi. Photo is of people looking at Paolozzi work at an exhibition (10 Oct 1979)
/49. Letter to Paolozzi from Cologne Polytechnic informing him that there is no longer a placement. (5 June 1979)
/50. List of members of the Royal College of Art Consort Club Dinner (4 June 1980). Also enclosed is a formal invitation and menu for the dinner as well as a guest list.
/51. Letter from Haig Beck and Jackie Cooper of International Architect to Paolozzi informing him that the magazine was published (assumingly with an article about his work) (17 Aug 1981). Sketches in pencil on verso of various designs.
/52. Letter from Marlee Robinson to Denys Wyatt from the Art Academy in Munich regarding his new address. (nd)
/53. Letter from Irene Bird asking Paolozzi to make a sculpture for her blind god-daughter on her wedding day. Also attached is the reply from Marlee Robinson saying that Paolozzi will do it as well as the thank-you letter from Irene Bird. (Sept 1981)
/54. Letter of reccommendation for student Julia Wood by Paolozzi to the Harkness Fellowship of the Commonwealth Fund of NY (8 Oct 1981)
/55. Letter from Quill Ltd asking if they can print proofs of Calcium Light Night. (March 1981). Also attached is Marlee Robinson's reply agreeing to let them publish (June 1981)
/56. Letter from BBC informing Paolozzi and Robinson that they are added to the London Calling mailing list. Also attached is a letter from Robinson informing BBC that they have not received any issues. (2 Sept 1981)
/57. Letter from Derek Lywood from Hart-Davis Educational Ltd. thanking Paolozzi for permission to photograph a work for a book. (14 Sept 1981)
/58. Letter from Derek ? From the British Council in Germany based in Cologne (2 Sept unknown year)
/59. Letter from Kenneth ? thanking Paolozzi for a luncheon (14 July 1981)
/60. Letter to Paolozzi sending him art cards of the painting Wittgenstein at New York (7 July 1981)
/61. Letter from Ellingham Mill Art Society asking Paolozzi to donate a work for a charity auction (7 Aug 1982). Also attached it information about the society and a response letter from Marlee Robinson (27 Aug 1982)
/62. Letter from the Contemporary Art Society asking if they can tour Paolozzi's studio. (18 Aug 1981). Also attached is Marlee Robinson's response (25 Aug 1981)
/63. Apology letter to Paolozzi from Graham at the Chelsea Arts Club for turning him down at dinner service (10 July 1981)
/64. Letter from the Greater London Arts Association asking Paolossi to be a judge for a sculpture competition. (28 July 1981). Also attached is Marlee Robinson's response. (4 August 1981)
/65. Postcard from Klaus Liebrecht to Paolozzi asking him to contact him when he gets to Germany (30 July 1979)
/66. Letter from Paul Neagu asking Paolozzi to donate a work for auction to provide the cost of a sculpture Neagu is making in Northumberland. (5 May 1981)
/67. Letter from D.R. Wilkinson- a tailor- trying to keep in touch with his clients and to network. Also attached is an article written about Wilkinson (June 1981)
/68. Letter from David Cowley to Paolozzi thanking him for some transparencies. (16 June 1981)
/69. Invitation from David Cowley at the Goldsmith's college for a ceramics exhibition. (July 1981)
/70. Letter from Hazel Sanderson to Paolozzi asking if he could contribute in donating a work for auction. (10 June 1981). Also attached is a folder which outlines the principles of the gallery.
/71. Letter to Marlee Robinson asking to find out why a scupture was not signed. (16 Dec 1980) Also attached is a photograph of the piece and several photocopies along with the reply by Marlee Robinson. (28 Jan 1980)
/72. Reminder letter from New Yorker magazine explaining that their subscription is about to run out. Also attached is Marlee Robinson's reply (12 Sept 1980)
/73. Letter from Georginia Howell of Tatler Magazine asking Paolozzi to attend a photoshoot. (12 June 1981). Attached is response of Marlee Robinson (15 June 1981)
/74. Letter from Marlee Robinson to Who's Who Magazine and encloses a list of international prizes won by Paolozzi. (5 June 1981)
/75. Letter from Andreas Papadakis to Paolozzi resonding to a lunch date. (5 March 1981)
/76. Letter from Dsnnis de Caires from Fine Art Letter to Paolozzi asking for a contribution of an article for the newsletter. (June 1981)
/77. Letter from JW Bailey from Preston Polytechnic in Lancaster asking Paolozzi to visit and speak with the students (28 May 1981). Also attached is Marlee Robinson's response to the invitation (1 June 1981)
/78. Letter from Meridiana Restaurant explaining their new opening times and inviting Paolozzi to a party (22 May 1981)
/79. Letter from Tom Klobe of the University of Hawaii asking Paolozzi to participate in an exhibition by sending a small sculpture. (21 May 1981). Also attached is Marlee Robinson's response. (1 June 1981).
/80. Letter from Sally Medlyn of North West Arts to Marlee Robinson (27 May 1981)
/81. Letter from G. Brutsch to Paolozzi asking permission to print cards of his work 'Wittgenstein in New York'. (22 April 1981). Also attached is Paolozzi's permission to do so. (26 May 1981)
/82. Letter to Paolozzi from Theo Crosby asking Paolozzi to a drink (13 April 1981)
/83. Letter to Paolozzi from the Triangle Bookshop regarding reserved copies (8 April 1981)
/84. Envelope to Paolozzi and inside a letter from Harold Cantor of South Africa asking for a signed postcard for his collection. (11 May 1981)
/85. Letter from Randolph of the University of Amsterdam to Paolozzi (nd 'Easter Day')
/86. Letter from Sally Medlyn of North West Arts asking if he would like to be a judge for a design competition (1 May 1981). Also attached is information about the North West Arts Scheme and a letter of reply from Marlee Robinson (18 May 1981)
/87. Letter from Paolozzi to Richard Rogers inviting him for dinner (11 May 1981)
/88. Envelope and letter from Kenneth Ostlund in Sweden asking Paolozzi to autograph some papers and a photograph- Also enclosed are two papers- no photograph. (7 May 1981)
/89. Letter from Marlee Robinson to Herr Kesting regarding a photograph of a Paolozzi work. (20 April 1981) Also attached is his address written on a scrap piece of paper.
/90. Letter to James Mellor from Marlee Robinson regarding the Rhinegarden project in Cologne (14 March 1981)
/91. Letter to Paolozzi from David Hunt introducing himself as the chairman of The Athenaeum (19 Sept 1980)
/92. Minutes of the general meeting for The Athenaeum (16 June 1980) that was enclosed with the letter from David Hunt (above). |
| Extent | 177 sheets |
| Provenance | Primary source material taken from Granton Store as part of project initiated by Daniel Herrmann and Kirstie Meehan |
| Repository | Scottish National Gallery of Modern Art Archive |