| Description | /1. Empty envelope from the British Consulae General in Munich to Paolozzi in Munich (27 May 1991)
/2. An ATM receipt for NatWest (15 Dec 1991) Withdrawal. Print is extremely faded.
/3. Two page list of Paolozzi sculptures for the English Sculpture Exhibition (1984). Nine sculptures are typed including title, dimensions, and location. Also MS on page 2 of five more sculptures.
/4. Typed letter to Paolozzi in London from Isabel Hitchman of the Welsh Arts Council in Cardiff. (6 March 1970). Regarding a sculpture exhbition Towards Sculpture.
/5. MS on graph paper (nd) Studio notes? Words 'Portfolios', 'Sketchbooks', 'graph paper'.
/6. Piece of paper with MS in Paolozzi's handwriting 'How are things in Guatamala?' (nd)
/7. Receipt from Miller's Graphics in Edinburgh. (5 Sept 1994) for six items.
/8. Empty envelope for Paolozzi in London from the Bavarian Academy of Conservative Arts (30 April 1992)
/9. Handwritten letter to Paolozzi from 'M' (Marlee?) (nd)
/10. Typed letter from Jack Crofton at the Meridian Fine Art Academy in London to Paolozzi in London. (15 Feb 1994) Informing Paolozzi about sculpture castings
/11. Piece of scrap paper that has ms on both sides of four telephone numbers (nd)
/12. MS on Christie's Auctioneers letterhead in Italian? (nd) Not Paolozzi's handwriting
/13. MS and pen sketches on Archive Film letterhead. (nd) Studio notes of the ten phases or parts of the project. MS such as 'man laughing'., 'baby being born'.
/14. Large empty envelope to Paolozzi in London from the National Portrait Gallery. (6 April 1994)
/15. MS on International Press Europe letterhead. (nd) Names and phone numbers of five individuals. In Paolozzi's handwriting.
/16. Invitation to the Armando exhibition featuring drawings and sculpture (17 July 1994). MS on verso in Paolozzi's handwriting with the phone number of the Gay and Fleur Cavalry Guards Club.
/17. Empty envelope with ms on both sides. Names and phone numbers of five individuals. In Paolozzi's handwriting. (nd)
/18. Note to Paolozzi from The British Council of items returned to him. (15 July 1994)
/19. Empty envelope from the Royal Academy of Arts in London to Paolozzi in London. (5 Jan 1994)
/20. Torn piece of paper from Periton Travel Service with Paolozzi's address in Thorpe-le-Soken typed on it. (nd)
/21. Telegram from Carl Vogel in Hamburg to Paolozzi in London asking if he could stay with him in London (8 Dec 1970)
/22. Letter from the Art House Exhibition in Munich to Paolozzi informing him that his work Portrait of Matta has been accepted into the Grand Art Exhibition 1984.
/23. Two pieces of paper with a list of ceramics interviews (copies) (4 July 1985). One sheet has pen sketches of designs and doodles on both sides. The copy sheet also has ms of additional interviews.
/24. Card with ms in Paolozzi's handwriting of numbers (nd)
/25. Card with ms in Paolozzi's handwriting of numbers and addresses. Also names of shops like Woolworths (nd)
/26. Lewis and Wayne business card with a voucher hand written on for 1 free cleaning. On verso: ms in Paolozzi's handwriting of address for William and Jane Dorrel and a phone number for Jim Roddis (in another handwriting) (nd)
/27. Large paper with ms and sketches by Paolozzi on it. Folded in half, sketches and ms inside. Design for sculpture? Famous name like Lee Miller and Max Ernst are written. On outside, the number for the Albert Hotel and sketches of an industrial looking object. (nd)
/28. Typed letter from Raimund Kittl to Paolozzi (27 Jan 1988) confirming an order.
/29. Order slip for Paolozzi from Raimund Kittl of Kunst Guss Kittl GMBH for assembly elements. (4 Dec 1986)
/30. Order slip for Paolozzi from Raimund Kittl of Kunst Guss Kittl GMBH for 'End of the Dream' (7 June 1987)
/31. Order slip for Paolozzi from Raimund Kittl of Kunst Guss Kittl GMBH for elements cast and assembled (4 July 1987)
/32. From the Bavarian State Chancellery InterNationes visitor service: A form filled out by Waldemar Sommer, a Chilean. Paolozzi's name appears on the front of form. 3 pages. (3 Nov 1986)
/33. Small piece of paper (letterhead for a Mrs William Howard?) with name and phone number of Kate and James Hurford on it in Paolozzi's handwriting. (nd)
/34. Envelope lable cut out still mounted on lable. To Mr & Mrs Paolozzi in Thorpe-le-Soken (26 May 1971. From Reiss Brothers Toys in NYC
/35. Letter to Marlee Robinson from SUsan Priestley of the Northern Centre for Contemporary Art about collecting prints for an exhibition. (27 March 1986)
/36. Typed letter from Marlee Robinson to Ann Tryall (28 Nov 1990) enclosing a cheque.
/37. Letter from Marlee Robinson to John Steers of National Society for Education in Art and Design (21 Nov 1990) about a conference in Scotland. Two pages: also enclosed is the invoice for expenses.
/38. Letter to Paolozzi in London from John Steers of NSEAD thanking him for attending the conference. (22 Nov 1990)
/39. Letter to Marlee Robinson from Ann Ingall c/o John Steers of NSEAD thanking Paolozzi for accepting to attend the conference. (9 April 1990)
/40. Letter to Marlee Robinson from John Steers of NSEAD providing an up to date programme for the conference (3 Oct 1990)
/41. Letter to Marlee Robinson from David Thistlewood of NSEAD thanking Paolozzi for accepting being the keynote speaker at the conference (9 April 1990)
/42. Two letters: First from David Thistlewood of NSEAD asking Paolozzi to be the keynote speaker and the Second letter from Marlee Robinson replying to Thistlewood agreeing on Paolozzi's behalf (March & April 1990)
/43. Scrap paper with pen drawings on it. Four different cartoon faces. On verso: Pen sketch outline of another cartoonlike figure. (nd)
/44. Pen outline of a character in a car (nd)
/45. Pen sketches and ms of airplanes, human outlines and words such as 'Names of characters', 'creation of doom'. (nd)
/46. Handwritten letter to Paolozzi from the Master of the Cranleigh Prep School thanking him for sending in some books. (12 Sept 1976)
/47. Business card for Dr. Architetto Giorgio Bellavitis with ms of address and phone number. (nd)
/48. Postcard from David Alexa Sholto to Paolozzi in London at the RCA. (1970) Postcard is from Spain.
/49. Postcard from Freda to Paolozzi in London (1970) Postcard is from Loire
/50. Postcard to Paolozzi in London from daughter Louisa giving her father her new address in York and asking for a recipe for gnocchi. (1975)
/51. Envelope and two page letter from Paul Ziegler (Oct 1970) talking about an assignment that he gave his students for class: to interpret a picture in many ways.
/52. Postcard from daugher Anna (18 Aug 1970) from France
/53. A postcard from an unknown sender to Paolozzi in London. (nd) From America.
/54. Postcard from Helga to Paolozzi in London (31 Aug 1975?)
/55. Postcard from Helga to Paolozzi in London (1 Oct 1975) Front of postcard features 'her place of escape' on the map.
/56. Telegram in an envelope to Paolozzi from Carl wishing him good luck on an opening.
/57. Postcard from Candace (Oct 3 unknown year)
/58. Typed letter from Paul teaching in Germany asking Paolozzi if he wants to do an academic trade (nd)
/59. Postcard from Angela to Paolozzi in London (1975)
/60. Invitation to an exhibition for Alessandra Castelli (Oct 1975) to Paolozzi in London
/61. Telephone bill from Office of Telecommunications Berlin (July 1975) for Paolozzi.
/62. Handwritten card from David and Joy Maroni to Paolozzi (1 May 1971) inviting him and his wife to a party
/63. Typed letter to Paolozzi from Dr. Armborst of the Bavarian State Ministry of Education and Culture in Munich. (13 July 1984) regarding a grant for a student exhibition. 2pages
/64. List of Paolozzi works for the Circlular Art Exhibition. 46 works in total. (nd but after 1980) 3 pages
/65. Piece of blank A4 paper with three pencil sketches on it. (nd) To are circular with curved and straight lines and the third is a small series of lines and stair shapes.
/66. Piece of blank A4 paper with a pencil sketch on it. Series of lines and stair stapes all connected. (nd)
/67. Piece of blank A4 paper with large pencil sketch on it. (nd) Design takes up entire page. Large and fragmented lines.
/68. Piece of blank A4 paper with large pencil sketch. (nd) Curvy and circular designs all connected.
/69. Piece of blank A4 paper with medium pencil sketch (nd) Straight lines attached to curvy and wavy lines. |