| Description | /1. 1 x ts. poster for 'P. HONEYSUCKLE' / 'GENERATIVE ART GROUP' [Paul Neagu] at the Richard Demarco Gallery at Saltire Society, 22/2/1975-12/3/1975, 1p.
/2. 1 x ts. exhibition card for the Richard Demarco Gallery with image of Neagu's proposed structure in Melville Crescent, Edinburgh Festival 1969, 22/8/1969 - 13/9/1969, 1p.
/3. 1 x ts. flyer, with ms. annotations on reverse, advertising 'The Four Horsemen of the Apocalypse in The Penultimate Show on Earth' at the Richard Demarco Gallery, 30/8/1975-6/9/1975, 1p.
/4. 1 x ms. letter to Anne [Goring?] from Paul Neagu, re: sending a 'special-montage' for the catalogue, his 'happenings-actions-event will be GOING & TORNADO or GOING TORNADO!', 25/7/1974, 1p.
/5. 1 x ms. letter on page containing ts. information on the Gernative Art Group, to Ricky Demarco from Paul Neagu, re: his 'Generative Art Group' wants to show in Scotland and have decided the Demarco Gallery is the most important Gallery in the North of Britain, asks for an exhibition of amalgamated work sometime in spring 1974, 30/10/1973, 1p.
/6. 1 x ts. press cutting from Times Educational Supplement (Scotland), column entitled 'PERSONAL VIEWS' under the heading of 'ART', by Emilio Coia on Paul Neagu's exhibition with his 'generative art group' at the Compass Gallery, Glasgow, 21/2/1975, 1p.
/7/1. 1 x ts. letter to Paul Neagu from R[ichard] D[emarco], re: saddened by Neagu's letter, not had a one-man show in the Gallery since 1969, offer of one room in May/June exhibition, can now give main rooms to Bernea, working on the same level as artists and gallery directors, cannot avoid being friends for ever, Edinburgh Arts, going to the States, 3/1/1976, 1p.
/7/2. 1 x ts. letter to Ricky Demarco from Paul Neagu, re: mood of regret and tolerance mostly due to recent misunderstanding regarding Horia [Bernea] in Scotland, disagreement with Demarco, similar aims but their means are different, Neagu says he is doing fine, 29/12/1975, 1p.
/8. 1 x exhibition publication for Tina Keane, Bob Chaplin, Alistair Wilson, Paul Neagu and Nigel Rolfe at the Air Gallery, London, 6-24/9/1977, 4p.
/9. 1 x ms. and ts. application form for Edinburgh Arts 76, filled in by Paul Neagu, 4/4/1976, 2p.
/10/1. 1 x ts. document, invoice to the Demarco Gallery from Paul Neagu for catalogues, 8/10/1976, 1p.
/10/2. 1 x ts. letter to Richard Demarco from Paul Neagu, re: regrets not being able to come to Edinburgh to watch the Canadians, mentions places they could perform in London, reviews by Cordelia Oliver, needs 'that bloody money', 8/10/1976, 2p.
/10/3. 1 x photocopy of ts. Naturalisation certificate for Paul Neagu in Britain, 14/7/1976, 1p.
/11. 1 x ts. publication of the Generative Art Group, 187/500, 64p.
/12/1. 1 x ts. letter to Paul Neagu from Anne Goring, Exhibitions Organiser, re: 8 Melville Crescent has been sold and they must move out, new premises near the University are in a poor state, architects and builders checking the place and will draw up estimates, grants need to be applied for, impossible to say when they can start exhibiting again, Demarco does not want to suggest a date for the Generative Art Group before September but he would like Neagu to come and teach at his summer school and do an action for a week with his students, maybe travel, then do an exhibition over the Festival period, 14/1/1974, 1p.
/12/2. 1 x copy of ms. letter on paper with ts. description of Generative Art Group, to Anne [Goring] from Paul Neagu, re: would like to do a protracted action week with the Summer School in Argyll and St. Andrews if the week is in August as he is unavailable in July, his price is £12 per day, September unsuitable for his Group Show, suggests alternative months, 27/1/1974, 1p.
/13/1. 1 x ms. letter on paper containing ts. description of Generative Art Group, to Anne [Goring] from Paul Neagu, re: would like to do a protracted action week with the Summer School in Argyll and St. Andrews if the week is in August as he is unavailable in July, his price is £12 per day, September unsuitable for his Group Show, suggests alternative months, 27/1/1974, 1p.
/13/2. 1 x ts. letter to Paul Neagu from Anne Goring, Exhibitions Organiser, re: 8 Melville Crescent has been sold and they must move out, new premises near the University are in a poor state, architects and builders checking the place and will draw up estimates, grants need to be applied for, impossible to say when they can start exhibiting again, Demarco does not want to suggest a date for the Generative Art Group before September but he would like Neagu to come and teach at his summer school and do an action for a week with his students, maybe travel, then do an exhibition over the Festival period, 14/1/1974, 1p.
/13/3. 1 x ms. letter on paper containing ts. description of Generative Art Group, to Anne Goring from Paul Neagu, re: asking about Directors' decision on March-April, what has Demarco decided about Neagu's exhibitions, needs to know asap for planning, 8/1/1974, 1p.
/14. 1 x ts. letter to Paul Neagu from Anne Goring, re: here are the photographs you asked for, 3/4/1974, 1p.
/15. 1 x ts. receipt to Paul Neagu from Anne Goring, for 2 Chinese Flying Horse Prints value £35 each, 7/7/1974, 1p.
/16. 1 x ts. receipt to Paul Neagu from Anne Goring, for two sets of prints and one set of silkscreen A/proofs, 4/9/1974, 1p.
/17. 1 x ms. document, re: frame 3-4 prints, 1p.
/18. 1 x ts. letter with ms. postscript, to Ann Goring, Exhibition Organiser, from Paul Neagu, re: request for receipt for Chinese Horse Prints, Demarco promised he would try to sell more of these to make up for the fee he can't pay for Neagu's summer school contribution, Neagu will be ready to come up for this around 10th August and offers his support, 4/7/1974, 1p.
/19. 1 x ms. receipt to Paul Neagu from Ken Duffy, The Printmakers Workshop Limited, re: two items received on sale or return, 19/7/1974, 1p.
/20. 2 x ts. letter to Paul Neagu from Anne Goring, Exhibitions, re: Anne Demarco has the two prints Neagu left, she'd like to buy one as a gift and Ricky intends to sell the other to John and Dorrie Martin, asks for more hand-painted Chinese Horse prints, offers the walls of the passage way at 18a Great King Street for Neagu to exhibit on during the festival, wishes she could give him more room, Ion Bitzan and Horia Bernea are owed money, where should she send it, recommends he come up earlier and go to Argyll, Ricky would like Neagu to do two action/events, how will Neagu frame his prints, 6/7/1974, 4p.
/21. 1 x artwork by Paul Neagu, 'The flying horse', 1973, 1p.
/22. 1 x ms. letter on paper containing ts. description of Generative Art Group, to Anne G[oring] from Paul Neagu, re: sent prints, framing, Ricky promised Neagu accomodation, money for Bitzan should be kept and money for Bernea should be sent to his wife, asks if Ricky has decided what building Neagu will have his exhibition, 13/7/1974, 1p.
/23. 1 x ms. document, note headed 'Paul' containing two names and addresses, 1p.
/24. 1 x ts. letter to Pippa Drysdale from Clare Street, Assistant Director, re: Paul Neagu is asking for his "box" by Fred Stiven which he left in Drysdale's flat two years ago, does she know what happened to it, hopes she will buy a catalogue, 6/10/1974, 1p.
/25. 1 x ts. letter to Paul Neagu from Clare Street, Assistant Director, re: we all enjoyed reading the article in "Art and Artists", hope enclosed letter is reassuring to let Neagu know they are doing their best to locate it, 6/10/1974, 1p.
/26. 1 x ts. letter to Paul Neagu from Clare Street, re: heard from Ricky that Neagu is arranging for him to lecture at the Hornsey School of Art, please confirm, 9/10/1974, 1p.
/27. 1 x envelope containing 1 x ms. letter to Anne Goring from Paul Neagu, containing 4 x black and white photographs stapled on letter, re: was very happy on trip, enjoyed the house of his hosts, Ricky was recently lecturing in Hornsey and wasn't bad, this collage could be taken as an art-work, met Clare at the German show opening, comments on difficulties and inner strength, 4/11/1974, 2p.
/28/1. 1 x ts. letter to Paul Neagu from Clare Street, Assistant Director, re: no news yet about Fred Stiven's box, three of Neagu's horses [prints] were sold at auction, cheque enclosed, the Traverse are interested in having Neagu come up and do an auction, 4/11/1974, 1p.
/28/2. 1 x ts. letter to Clare Street from Paul Neagu, re: happy to know that she is taking care of Ricky's affairs, asks for news on Fred Stiven box, slides, horses, 24/10/1974, 1p.
/29/1. 1 x ts. letter to Paul Neagu from Clare Street, re: forgot to put the cheque in, now forwarded so hope it has arrived, slides of Neagu's action are being copied for him, in photographic shop but still not ready, they will come asap, 7/11/1974, 1p.
/29/2. 1 x ms. letter to Clare [Street] from Paul Neagu, re: no cheque enclosed in her envelope, suppose she forgot to put it in, reminds her he still doesn't have copies of the Forest Hill slides 'Going Tornado', urges her to obtain them for him as it's the single record of that action, 5/1//1974, 1p.
/30. 1 x ts. document, Price List for three Paul Neagu works, 1p.
/31. 1 x ts. letter to Paul Neagu from Clare Street, re: enclose a cheque for the sale of one of his colour flying horses, enclosed are the slides and an invoice, Neagu was on Grampian television the previous night, 19/11/1974, 1p.
/32. 1 x ms. letter to Riky [Demarco] and Claire [Street] from Paul Neagu, re: tells Riky not to waste his energies with people like Trevor Walls, Demarco's interview on video tape, thanks for slides, cheque enclosed, action in December, 23/11/1974, 1p.
/33. 1 x ms. letter on paper containing ts. description of Generative Art Group, to Anne [Goring] from Paul Neagu, re: regrets missing visiting Mr Turner's work together but had not slept, in case of impossibility of having a group show at the Fruitmarket Gallery in Edinburgh, try to get Neagu the Saltire Society for the GAG member Philip Honeysuckle, describes this artist and his work, 5/12/1974, 1p.
/34. 1 x ts. letter to David Gothard from Clare Street, re: confirms that Paul Neagu is delighted to come and do a performance at the Traverse, fee and guarantee, he will need a tape recorder and would like it the day before, 23/1/1975, 1p.
/35. 1 x ms. note, stating 'Reply [-] yes Ph. Honey' and dates, 2/1/1975, 1p.
/36. 1 x ts. document, entitled 'REMITTANCE' for sale of Chinese Flying Horse print, 14/1/1975, 1p.
/37. 1 x ts. letter to Paul Neagu from [?, Demarco Gallery], re: opening in Glasgow, asks him to design a card with the Demarco Gallery symbol, glad Neagu will do the poster/catalogue, Traverse to contact him, may be able to help with installation, Ricky left on the plane and forgot half his bags, no spare clothes, new Gallery Administrator appointed, 21/1/1975, 1p.
/38. 5 x ts. document, containing budget for 'PHILIP HONEYSUCKLE ONE MAN SHOW' at the Saltire Society, 22/2/[?]-12/3/[?], 5p.
/39. 3 x document, list of works for 'PHILIP HONEYSUCKLE c/o Generative Art Group, One-man show' at Saltire Society, 22/2/[?]-12/3/[?], 3p.
/40/1. 1 x ts. letter to Paul Neagu from Mrs. Gauld, Gallery Administrator, re: enclosed a cheque to cover the cost of Parasol and his travelling expenses, Anne will meet Neagu at Waverley and he will stay with Paul Warner, 20/2/1975, 1p.
/40/2. 1 x ms. document, 'with compliments' slip for Paul Neagu/'Philip Honeysuckle' containing costs and total, [1975], 1p.
/41/1. 1 x ts. letter to Tanya Bruce-Lockhart from Clare Street, Edinburgh Arts Administrator, re: they note that the cassette with work on Paul Neagu is not suitable for Aquarius, would be grateful if they could return the cassette, 5/3/1975, 1p.
/41/2. 1 x ts. letter to Richard Demarco from Tanya Bruce-Lockhart, re: thank you for sending the cassette with work on Paul Neagu, the show is coming off air, nevertheless feel the work isn't up their alley, 4/3/1975, 1p.
/42. 1 x ts. letter to Paul Neagu from Clare Street, Edinburgh Arts Administrator, re: Edinburgh Arts European Tour, definitely happening in Malta and Italy, Ricky will continue with a car load of people, Neagu's performance at the Traverse meant a lot to Street, 5/3/1975, 1p.
/43. 1 x ms. note by Paul [Neagu] re: three artworks and prices, 1p.
/44. 1 x ts. press cutting from The Times, article entitled 'Products of the split personality', 'Paul Neagu/UEA Collection, Museum of Modern Art, Oxford' by Paul Overy, 4/3/1975, 1p.
/45. 1 x drawing in pencil with writing in ms. and ts. on John Thomas, 1p.
/46. 1 x drawing in pencil with ts. writing on Tina Chaden and ms. writing on reverse, 1p.
/47. 1 x exhibition publication for Paul Neagu and the Generative Art Group at the Compass Gallery, Glasgow, 1-22/2/1975, 1p.
/48/1. 1 x ts. letter to Paul Neagu from Clare Street, Edinburgh Arts Administrator, re: it would be sad if Neagu were unable to do the last section of the European tour with Ricky, dates are changing, Ricky will be disappointed if Neagu can't participate, 17/3/1975, 1p.
/48/2. 1 x ms. letter to Claire [Street] from Paul Neagu, re: won't be able to join to Maltese and Italian part of the Euro-tour nor the rest of it (by car) as he is teaching and won't be free until 12 July, plus lack of money, gives his seat away, he will most probably join the programme on British soil, thanks for the cheque, 12/3/1975, 1p.
/49. 1 x ts. letter to Anne Goring from Sally [?], Museum of Modern Art Oxford, re: apologies that she should've posted Paul's catalogues ages ago, sending them now, thanks for list of Yugoslav artists Ricky intends to show, very full exhibition programme at the moment, hope all is well with Summer School and Ricky's trip to America, would love to join the Edinburgh Arts 'Grand Tour', 4/4/1975, 1p.
/50. 1 x ts. press cutting from Evening Express, Aberdeen, re: Paul Neagu, 30/11/1974, 1p.
/51. 1 x ts. document, 'REMITTANCE' Paul Neagu, 11 drawings by Philip Honeysuckle sent by mail, 15/5/1975, 1p.
/52/1. 1 x ts. with compliments slip from Calouste Gulbenkian Foundation, Lisbon, re: similar letter sent to Ian Hamilton Finlay and Iain Patterson, [3/12/1975], 1p.
/52/2. 1 x ts. letter with ms. postscript to Ricky [Demarco] from Anthony Wraight, Assistant Director, Calouste Gulbenkian Foundation, Lisbon, re: Visual Arts Award Scheme, Paul Neagu, who was nominated by Demarco for the scheme, has been unsuccessful, postscript mentions Neagu has received £2500 bursary from the Arts Council, 3/12/1975, 1p.
/52/3. 1 x ts. letter Paul Neagu from Anthony Wraight, Assistant Director, Calouste Gulbenkian Foundation, Lisbon, re: Visual Artists Awards, following his nomination, the Selection Committee has decided its recommendations and Neagu has been unsuccesful, difficult decision due to high quality entry, best wishes, 3/12/1975, 1p.
/53. 1 x ts. poster for Generative Art Group, Paul Neagu, 'Gradually Going Tornado!' at the Sunderland Arts Centre, 14/10/1975-8/11/1975, 1p. Also attached is 1 x ms. note, ' Anne, File Paul Neagu', 1p.
/54. 1 x black and white photograph of Paul Neagu, 1p.
/55/1. 1 x ts. document with ms. annotations, containing Editorial Office addresses for 'Art Dimension - International Review of Arts', 1p.
/55/2. 1 x ms. letter to Anne [Goring] care of Richard Demarco, from Paul Neagu, re: Neagu's telephone has been disconnected, to communicate use the written word, putting on a 'BLIND'S BITE' ritual, how much space will he be given for the festival show and with who else, 8/7/1975, 1p.
/56. 1 x ts. invitation to a performance of 'GRADUALLY GOING TORNADO' by Paul Neagu and his Generative Art Group at the Arnolfini Gallery, Bristol, 20/3/[?], 1p.
/57. 1 x ts. letter to Paul Neagu from [?, Richard Demarco Gallery], re: would like to have a dual show with Horia Bernea and Neagu at the Gallery, timings, transportation, money, printing, Festival time approaching, opening a small coffee bar/restaurant in the basement, room for small artworks on the wall, opening a book shop in the reception area, possibility of touring the show, 2/6/1976, 1p.
/58. 1 x ms. letter to Julian [?] from Paul Neagu, re: poster, invitation to exhibition, transport cost, poster cost, 10/6/1976, 1p.
/59/1. 1 x ts. letter to Paul Neagu from [?], re: cheque enclosed, railfare deducted from total, look forward to receiving information for the Edinburgh Arts Exhibition asap, 13/10/1976, 1p.
/59/2. 1 x ts. letter to Paul Neagu from [?], re: cheque will be arranged quite soon, two reviews of the show enclosed, Neagu's yellow posters were destroyed but special drawing pins enclosed, understand that Neagu cannot come in December but that he will give 'detailed information on how to build that major statement' for the carpenter, Kenny Samuels, invoice found, 30/9/1976, 1p.
/59/3. 1 x ts. letter to Pauline Lowson from Paul Neagu, re: requests cheque, requests two reviews of the show, requests return of yellow posters and special drawing pins, message for Demarco: impossible to come up in December for performance but would gladly send detailed information on how to build that 'major statement (sculpture)', needs done by a professional carpenter, requires the Fruit Market's dimensions and Demarco's agreement, 23/9/1976, 1p.
/59/4. 1 x ms. letter to Julian [?] from Paul Neagu, re: request for Richard Demarco Gallery to send an invitation to Horia Bernea inviting him to UK for two months to accompany three exhibitions, wants his own account settled, outlines invoice, 9/7/1976, 1p.
/60. 1 x black and white photograph with ms. writing in French on reverse, 1p.
/61. 1 x ts. document with drawing, entitled 'Deborah Haggard', with ms. writing on reverse, 1p.
/62. 1 x ts. document with coloured-in drawing, entitled 'Diane Fitzgerald', with ms. writing on reverse, 1p.
/63. 1 x ts. and ms. document with drawing, entitled Sue Mead, 1p.
/64. 1 x ts. document with drawing, entitled 'Denis Bolohan', with ms. writing on reverse, 1p.
/65. 1 x ts. document with drawing, entitled 'Nicholas J Mozak', with ms. writing on reverse, 1p. |