| Description | /1/1. Correspondence between Douglas Hall and Roland Penrose, 23 October 1964 - 18 May 1965, re. planned exhibition of early abstract art at the Scottish National Gallery of Modern Art (1966). Roland Penrose's letter of 13 May 1965 comments on abstract and representational art in relation to his collection. Correspondence includes list of artists exhibiting; 7p.
/1/2. Letter from Mike Tilley to Roland Penrose, 1 June 1976, and reply, 10 June 1976, re. loan of Man Ray photographs for exhibition 'Alchemy and Light', Sunderland Art Gallery and Museum and Spectre Arts Workshop, Newcastle (1977). Letter includes information on the exhibition and Spectre Arts Workshop; 5p.
/2/1. Correspondence between Paul Eeckhout and Roland Penrose, 6 - 27 February 1964, and related letter from Roland Penrose to Patrick Waldberg, re. request for loan of art by Picasso & Ernst to exhibition 'Figuration et Defiguration: La Figure Humaine depuis Picasso', Museum of Fine Arts, Ghent (1964); request declined; 7p.
/2/2. Correspondence between Cyril Reason and Roland Penrose, 10 December 1974 - 15 January 1975, re. request for loan to exhibition on theme of the nude, Morley Gallery, London; request declined; 3p.
/2/3. Correspondence between Roland Penrose & Edward Henning, 9 - 24 November 1976, re. request for long term loan of part of the Collection to Cleveland Museum of Art and invitation to Roland Penrose to lecture at the museum; request declined; 3p.
/3. Letter from exhibition organisers to Roland Penrose, 15 February 1965, and related letter from Stadt Bochum, 19 February 1965 (reply not found), re. request for loan of unspecified work to exhibition 'Signals, Manifestos & Protests in the 20th Century', at Ruhrfestspiele Recklinghausen (1965), 3p.
/4/1. Invoice of Lefebvre-Foinet, Paris, for transport of one work by Picasso and 30 'recueils de Max Ernst', 3 May 1973, 1p.
/4/2. Pitt & Scott invoice for delivery of art, books and 'one work by A. Capp, ex ICA' to Farley Farm, 15 June 1978, 2p. |