| Description | Exhibition of sculptures by Henri Gaudier-Brzeska,
/1. correspondence with lenders - Sir Colin Anderson; Lord Beaumont of Whitley; Serge Beddington-Behrens; Robert Bevan; John Chapman; Art Institute of Chicago - proposed insurance documents documents from Art Institute of Chicago (not accepted); Contemporary Art Society; Dartington Hall Trustees; Anthony d'Offay; Dr Malcolm Easton of Hull University; Lady Jones (Enid Bagnold) including small sketch of her portrait bust with dimensions, and correspondence referring also to advice re selling plaster of her portarait bust; Manchester City Art Gallery; Walker Art Centre in Minneapolis; Henry Moore; Dr Roy Strong at National Portrait Gallery re self-portrait drawing also for catalgue, loan agreement, photograph of self-portrait; Christ Church, Oxford;Musee National d'Art Moderne in Paris; Tate Gallery, London, including photosat of the extract from Tate's catalogue for "Torso of a Woman" and special insurance arrangements for transport of works and insurance documents; V & A; Walker Art Gallery, Liverpool
/2. correspondence with Leeds and Cardiff museums re loans of works and re their showing of exhibition, loan form from Leeds,
/3. negatives of works, rough memo of cost estimates for Cardiff, note of catalogue disposal, general exhibition correspndence, file copy of catalgue with ms. annotations, press cuttings, invoice from printer, quotation for transport of works from Tate Gallery, rough notes planning collection of various works with telephone numbers of owners, general correspondence re transport of works, correspondence with Scottish Arts Council, correspondence with Mr Cockburn of Bircham & Co. re asking for works from Ezra Pound, information sheet about the gallery and the proposed exhibition, photostat copy of ts. of Radio 4 Scotland broadcast review of exhibition, correspondence with other potential lenders, invoice for catalogues, request for exhibition showcases made to Dept of Environment, memos re posting invitations, ts. schedule list of works in exhibition, rough notes re route for transport of works, requests for information about current locations of works, transport arrangements for work from Paris, quotation for transport of works from Tate, correspondence with Gordon Fraser Gallery re sales of H.S.Ede's book on Gaudier-Brzeska, " The Savage Messiah", ms. note re sales of "Savage Messiah", invoices for books,
/4. exhibition forms, photographs, ts. of full 'catalogue of sculpture' in chronological order with some ms. comments, additional copy of exhibition forms,
/5. correspondence with Roger Cole, beginning with preliminary discussions in April 1971 following recommendation by Jim Ede, ongoing reports on state of progress in requsting loans of works, discussions re text for catalogue |