| Description | An exhibition of works by Peploe to mark the fiftieth anniversary of his death,
/1. catalogue text: ts. and ms. photographic credits, rough notes re catalogue preparations, notes on captions for colour plates, corrected proofs of text
/2. set of catalogue entries on individual cards, 3 colour transparencies, ms. list of catalogue entries,
/3. draft catalogue entries, several with polaroid photograph (or transparency) attached,
/4. list of addresses (NG.I tab),
/5. rough notes re invitations, photocopied ms. table of lenders, Guy Peploe's list, 369 Gallery list, Scottish Gallery list,
/6. note on catering arrangements for private view, acceptances for private view
/7. list of addresses for Peploe thank yous, refusals for private view, correspondence with lenders and indemnity forms(Douglas Hutchison, Aberfeldy;Esme Gordon;Aberdeen Art Gallery,
/8. correspondence with Denis Peploe, list of oil paintings and list of drawings owned by Denis Peploe lent to exhibition and ms. letters from Denis Peploe, indemnity forms,
/9. correspondence with lenders and indemnity forms (Dundee Art Galleries and Musuem; Gracefield Art Centre, Dumfries; Earl of Moray, Forres; Dr Ritchie; Edinburgh City Art Centre; Mrs Miller; Edinburgh University; Edinburgh College of Art; R.S.A; Iain Harrison;Mr & Mrs Rankin; Gordon Small; Matilda Hall; J.E.T. Dykes; SNPG; Kelvingrove Museum and Art Gallery;
/10. correspondence with lenders and indemnity forms cont. ( Tim Honeyman; Hunterian Art Gallery, Glasgow; William Bowie; Burrell Collection, Glasgow; Fine Art Society, Glasgow; McLean Museum and Art Gallery, Inverclyde District Council, Greenock;Hull University; Kirkcaldy Museum and Art Gallery;
/11.correspondence with lenders and indemnity forms cont. (Fine Art Society, Edinburgh, including Christie's catalogue of Scottish Paintings sale of 25 April 1985, correspondence with Christie's & Edmiston's and with Mrs Proudfoot re sale of Peploes in her possession, photograph of 'Still Life')
/12. correspondence with lenders and indemnity forms cont. (Mr & Mrs Harrison; Mr Lidstone; Robert Fleming & Co., London; Chloe Peploe and James Fox; Manchester City Art Gallery; Mrs Hyslop, Melrose; Judge Lyall Wilkes, Newcastle - includes postcard of 'Perthshire Landscape'; Mr Clark Hunter, Paisley; Perth Museum and Art Gallery; ~Hon. James Bruce, Perth; Stoke-on-Trent Museum and Art Gallery;
/13. photocopy of note to John Dick re works requiring cleaning, request for loan forms, list of works requested for inclusion, ts. report from John Dick re condition of works for possible tour, set of xerox copies of photographs of works, sample letter describing exhibition and requesting loan, early correspondence with Guy Peploe initially requesting volunteer position and then re possible collaboration on exhibition, letter to Aberdeen University re Guy Peploe's dissertation on Cadell, request for reference for Peploe and Douglas Hall's letter of reference, letters to Robert Fleming Holdings Ltd re possible collaboration on exhibitions and re founding of Patrons, correspondence with Guy Peploe re financial support from Flemings, ts. agreement (original and copy) between Guy Peloe and SNGMA, memos reporting on progress of exhibition and jobs still to be done, leaflet showing NGS provisional schedule for 1984-85(2 copies), rough notes on exhibition organisation, photocopy of chart listing illustrations, photocopy of short list of works complied by Guy Peploe, expenses forms for photographs, letter to Mr Donald at Flemings informing him of change in date to Festival time, miscellaneous expense forms and invoices, 1985 Festival programme, photographs inside GMA requested by New York Times, photocopy of article from 'The Studio', 1904, discussing Peploe exhibition,
/14. ms. wall chart of exhibition progress, set of adhesive labels for works in exhibition,
/15. 3 xerox copies of catalogue
/16. correspondence re photographs, requests, invoices and expenses forms,
/17. photographs, slides and negatives of works
/18. rough notes on catalogue preparations, photocopy of initial draft lists for content, photocopied list of proposed lenders, photocopied list of colour and b & w illustrations, ts. agreement between Guy Peploe and SNGMA, rough notes re photography for exhibition, forecast of expenses forms and invoices for photographs, list of proposed lenders arranged re geographical alphabet,
/19. negatives of works
/20. photographs of works
/21. photographs
/22. photographs
/23. photographs (including Giacometti's 'Woman with her throat cut'), and rough notes re photographs
/24. catalogue proofs with corrections
/25. xerox of catalogue copy with rough notes on corrections, photocopy of letter from Douglas Hall to Ruszkowski re photograph of 'Cypriot Girl', photocopy of text of 'Three Scottish Colourists' exhibition catalogue of 1970 with annotations for comparison with Guy Peploe's submissions
/26. rough notes on exhibition hang, hanging lengths, ts. copy for private view card/ press release/ Festival programme with internal correspondence, 'One Man's Choice' private view card
/27. xerox copy of final proof of catalogue, private view photo proofs, miscellaneous correspondence from exhibition visitors, thank you letters from recipients of free catalogues, ms. list of catalogue recipients, photograph of 'Landscape at Cassis', ms. card from Guy Peploe re fee,
/28. photocopied lists of works, list of proposed lenders at 10/1/85, ms. list of proposed lenders, photocopy of article in 'The Scots Magazine' by Guy Peploe on Cadell, rough notes
/29. photocopied review from Guardian, 3/7/85, ms. list of points to check in catalogue entries, miscellaneous rough notes for catalogue, ts. and ms. photo caption list, ts. list of important exhibitions with ms. corrections, ms. list of sketchbooks and other items from artist's studio, ts. of brief chronology, ts. copy of bibliography with photocopy of that from 'The Three Colourists', ts. and ms. list of lenders for catalogue, ts. drafts of catalogue essay 'Painter in Oils' |