| Description | Originally bundled in a plastic wallet labelled '80s'.
- NatWest account statements for Jankel Adler's account c/o David Aukin, 1984-87
- Correspondence from the British Museum enquiring about looking at Adler's work, 27th August 1987
- Correspondence and invoices from Stekelman Art Services Ltd., 1985-86
- Correspondence between David Aukin and NatWest concerning the selling of sovereigns for pounds, 1983-86
- Correspondence between Nina Adler and David Aukin, 1985
- Typed list 'David Aukin / Goods stored at Key Warehouse', n.d
- Conservation record card for 'Abstract' from Kate Colleran, 15th February 1986
- 'The Collector's Guide to Conservation : The Care and Preservation of Prints and Watercolours' by Kate Colleran
- Invoices and correspondence between David Aukin and Kate Colleran, Prints and Drawings Conservation and Restoration, 1983-86
- Sales invoices and correspondence concerning the same, 1976-84
- Form from the Inspector of Foreign Dividends addressed to David Aukin c/o Nina Adler, 23rd May 1985
- Request to loan Jankel Adler's work for the Städtische Kunsthalle Düsseldorf and the enclosed 'contract of loan' forms, 16th May 1985 and correspondence between David Aukin and Nehama Guralnik (Tel Aviv Museum) concerning the same, July 1983
- Request to loan Jankel Adler's work for the Neue Gesellschaft für Bildende Kunst, 21st May 1985
- Correspondence between David Aukin and Commercial Union Assurance, including a copy of their policy with the Adler Estate(6th May 1982), 1982-84
- Correspondence between David Aukin and the Birmingham Film Workshop concerning the making of the film 'Traces Left', a film concentrating on art in Glasgow in the 1930s and 1940s, 1983
- Correspondence from a student doing his dissertation on Jankel Adler and requesting to see his work, 23rd March 1981
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