| Description | - Five photographs of works by Adler (labelled 1, 6, 9, 10, 11 - nd)
- Programme for 'Jankel Adler : Arbeiten auf Papier 1928-1948' from the Galerie Remmert und Barth, Dusseldorf (5th November 1985 - 18th January 1986); invitation to the opening; leaflet for the Art Cologne exhibition on at the same gallery in November 1985; price list for the Jankel Adler exhibition
- Three photographs of works by Jankel Adler with size and date of work pictured on the back of the images encased in a letter of thanks for their use from the Birmingham Film Workshop, nd
- Correspondence from Commercial Union Assurance, 1985
- Largely personal correspondence between Nina Adler and David Aukin (mention of 'major retrospective exhibition' being organised by the Tel Aviv Museum in conjunction with the Dusseldorf Museum, 1983), correspondence also often makes mention of shows that Aukin was working on, for example, the first run of Bernard Pomerance's Elephant Man at the Hampstead Theatre in 1977, 1977-85
- NatWest bank statements, 1984-85
- Forms from the Inspector of Foreign Dividends and correspondence concerning the same, 1982-85
- Correspondence between David and Charles Aukin: personal; regarding purchases; inventory lists from Victor Waddington, 1975-78
- Personal correspondence from David Aukin, 1976
- Receipt for Adler works sold to Belgrave Gallery Ltd, 1977-78
- Enquiry as to the works of Jankel Adler and possibility of an exhibition from Galerie Elke und Werner Zimmer and correspondence between David Aukin and Nina Alder concerning the same, 1978
- Transfer requests from Belgrave Gallery Ltd on behalf of Bradford, 1978
- Correspondence concerning a large purchase of Adler drawings by A. M. Adler Fine Arts, Inc., New York and subsequent exhibition due in Spring 1981, 1980-81
- Michael Hasenclever's business card
- General enquiries into purchasing Adler's work, 1981
- Correspondence and receipts from the United Synagogue Cemeteries Maintenance Department, London, 1982
- Offer of selling some of Adler's work to the Leicester Museum and Art Galleries, 1984
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